Gods of Jade and Shadow

Product Information

A spellbinding fairy tale rooted in Mexican mythology . . . Gods of Jade and Shadowis a magical fairy tale about identity, freedom, and love, and it's like nothing you've read before.”— Bustle Do as they ask; we wouldn’t want them to say we are spongers,” Casiopea’s mother told her. Casiopea swallowed her angry reply because it made no sense to discuss her mistreatment with Mother, whose solution to every problem was to pray to God. In the company of the strangely alluring god and armed with her wits, Casiopea begins an adventure that will take her on a cross-country odyssey from the jungles of Yucat n to the bright lights of Mexico City--and deep into the darkness of the Mayan underworld. Do as they ask; we wouldn't want them to say we are spongers," Casiopea's mother told her. Casiopea swallowed her angry reply because it made no sense to discuss her mistreatment with Mother, whose solution to every problem was to pray to God.

Avibrant story of grit, giddiness, and glory with a protagonist whose personality burns bright as a star. Casiopea Tun will capture your heart and draw you into a jewel-toned world of mythmaking and jazz music.” —Lara Elena Donnelly, author of the Amberlough Dossier trilogy An evocative and moving modern Indigenous fairy tale filled with quiet moments of vulnerability and honesty. Oh, my heart!” —Rebecca Roanhorse, Hugo and Nebula award winning author of the Sixth World series Silvia Moreno-Garcia is a Canadian author, who was born and raised in Mexico. Her debut novel, Signal to Noise, won the 2016 Copper Cylinder Award, which recognizes works of speculative fiction. Set in a lushly rendered and gorgeous world, this is historical fantasy at its best: a fresh, feminist coming-of-age tale that lets the ancient and the new meld and clash in a tale you can't put down.” —S. A. Chakraborty, author of The City of Brassand The Kingdom of CopperIn the meantime, Casiopea lived in Cirilo’s house. She rose early and committed to her chores, tight-­lipped, like a soldier on a campaign. NEBULA AWARD FINALIST •NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NPR • Tordotcom• The New York Public Library • BookRiot The Jazz Age is in full swing, but Casiopea Tun is too busy cleaning the floors of her wealthy grandfather's house to listen to any fast tunes. Nevertheless, she dreams of a life far from her dusty small town in southern Mexico. A life she can call her own. The country was supposed to be secularist after the revolution, something that sounded fine when it was printed as a decree, but was harder to enforce once push came to shove. Cristero rebellions bubbled down the center of Mexico whenever the government tried to restrict religious activity. That February in Jalisco and Guanjuato all priests had been detained for inciting people to rise against the anti-­Catholic measures promoted by the president. Yet Yucatán was tolerant of the Cristeros, and it had not flamed up like other states. Yucatán had always been a world apart, an island, even if the atlas assured Casiopea she lived on a verdant peninsula. Amidst all this mystical mayhem, there is a very human story grounding Gods of Jade and Shadow; one of first love, fraternal discord, and a young woman’s desire to escape the confines of home. Moreno-Garcia does well to always keep the realistic side of her novel as – or more – interesting than the otherworldly. The evolving relationship between Casiopea and Martín is well-drawn and believable, mirrored to great effect in the relationship between Hun-Kamé and Vacub-Kamé. It is to the author’s credit that she refuses to villainise the ostensible villains, focusing instead on the emotional reasons why they have ended up in their malevolent state.

In 1922 Governor Felipe Carrillo Puerto had said women could now vote, but by 1924 he’d faced a firing squad—­which is exactly what you’d expect to happen to governors who go around delivering speeches in Mayan and then don’t align themselves with the correct people in power—­and they’d revoked that privilege. Not that this ever mattered in Uukumil. It was 1927, but it might as well have been 1807. The revolution passed through it, yet it remained what it had been. A town with nothing of note, except for a modest sascab quarry; the white powder shoveled out was used for dirt roads. Oh, there had been a henequen plantation nearby once upon a time, but she knew little about it; her grandfather was no hacendado. His money, as far as Casiopea could tell, came from the buildings he owned in Mérida. He also muttered about gold, although that was likely more talk than anything else. Nevertheless, she dreams of a life far from her dusty small town in southern Mexico. A life she can call her own.In the company of the strangely alluring god and armed with her wits, Casiopea begins an adventure that will take her on a cross-country odyssey from the jungles of Yucatán to the bright lights of Mexico City—and deep into the darkness of the Mayan underworld. Yet this new life seems as distant as the stars, until the day she finds a curious wooden box in her grandfather's room. She opens it--and accidentally frees the spirit of the Mayan god of death, who requests her help in recovering his throne from his treacherous brother. Failure will mean Casiopea's demise, but success could make her dreams come true. The Mayan god of death sends a young woman on a harrowing, life-changing journey in this dark,one-of-a-kindfairy tale inspired by Mexican folklore.