Wharfedale - Denton 80th (Red Mahogany)

Product Information

The Dentons came with an introduction price of 750 euro which currently ranges between 599 and 650 Euro in retail. was considering NAD C 326BEE or C 375BEE but since plenty of them have power module issues I have dropped those two) An amplifier's treble tone control generally works by boosting or reducing treble starting at a pre-set frequency. The pre-set frequency is determined by the amp manufacturer so there will be some variation between amps. Such tone controls add a peak (boost) or a trough (reduce) at set frequencies - the severity of the peak or trough is determined by the tone control "volume" setting. Adding a resistor in the way you plan reduces power fed to the tweeter so reduces output across the tweeters entire operating range and doesn't introduce significant peaks or troughs.

Given my experience, I wouldn't hesitate to go with the NAD 375 bee. Save a few extra dollars each month, and leave the amp on 24/7. Mine has lasted 6 years so far with no signs of failure yet. (fingers crossed) I had anticipated finding the LS50's to be screaming bright after having been acclimated to the warm-voiced Dentons for the past couple of weeks. What I am finding is both speakers have comparably accurate mids and bass, and both speakers go approximately down to the same bass depth. Both speakers are approximately equal in their efficiency, and both are superb pairings for my 14wpc Fisher, in my 8' x 12' room. I have not been using my subwoofer, nor does one seem necessary with either set of speakers. Emphasised treble has made the new 85th Anniversary Edition more critical and less forgiving than the 80th Anniversary Edition. With Dire Straits Brothers In Arms LP (Mobile Fidelity, 180gm, 45rpm) repetitive cymbal strikes marking out the beat had very obvious presence, more so than I am used to from our reference Martin Logan X-Stat electrostatic panels. Alison Goldfrap’s Ride a White Horse (12in 45rpm single) pounded out strongly, the synth bass beat having a resonant strength characteristic of an old-style loudspeaker – and all the better for it I felt. Unfortunately, emphasis of sharp vocal sibilants wasn’t so good. Wharfedale founder, Gilbert Briggs' focus on quality and value for money led the company to become one of the most famous loudspeaker manufacturers in the world. The Denton exemplified this through its balance fine craftsmanship, natural sound quality and affordability inside a compact loudspeaker that was bought in millions right across the globe. Anniversary Edition

The Denton's look and feel are miles ahead of the white Bowers & Wilkins 606 stand-mount speakers I auditioned in 2018 at the CNET office. Both speakers hail from UK-based manufacturers, and they're close to the same price, but the Denton looks a lot more expensive.

Interested in hearing from anyone who wants to share their experiences with either/or, but preferably both sets of speakers. Maybe the 85s solve the top end problem? Underneath the exterior, the Anniversary Edition is a perfect mixture of traditional and advanced technology. The bass unit features Wharfedale’s innovative woven Kevlar cone mounted on a rigid die-cast chassis. The drive units are combined with a highly researched crossover that blends the drivers perfectly. I like the character and the aesthetic of the 80s, but the misnomer about the 'treble roll off' kills it for me.I like to build another system around Wharfedale Denton 80th Anv. speakers and looking to replace above components as I will move those from current to my secondary habitat. The new Denton 85th Anniversary Edition will sound lighter and brighter than the 80th, due to raised tweeter output. It has smoother bass that runs deeper and will sound controlled when close to a wall. Sensitivity is very high too. Very good, but with overly strong treble. Wharfedale combines its strong history and modern technology in perfect fusion in this Denton 80th Anniversary Edition. The original Denton was known for its warm, rich sound and the 80th Anniversary Edition manages to retain the original character while giving a more detailed, seamless performance. Depending on what it should qualify for. Hifi setups or monitors. The modern Dentons are indeed not allround in performance. They are not monitors and have a signature to them. When it comes to allround, Wharfedale's Diamond 12 series would probably more be there, but for mixing I might leave them for dedicated monitors.